This is the fourth year writing these silly TV articles and they are some of my favorite things to work on every year. In the previous one, it’s just me ranting about a ton of great shows. This one is easily more fascinating each and every time. Why? It’s because my friends are fascinating.
Critic polls always are a great way to look at a year of art but they are limited by the fact they all are critics. That is what their perspective is. TV is a medium that everybody watches and has an opinion on. Since there are so many installments of a show and so much time is devoted towards the story and characters, everyone is a little bit of a critic as they decide whether they should keep going or not.
Every year I’ve increased the number of people I have writing in this because I’m greedy. I want to read more and more thoughts about what is exciting my friends. So this year I do have some excellent film critics, but I also have lawyers and news producers and video editors and actors and directors and students and marketing experts. I have people who work at a film festival. I have people who work in Spain. I have people who work in sports, in politics, in advertising, in publishing and for colleges and nursing homes and community resource centers for LGBTQ people. I have authors who write about cowboys and skeletons and fools. What connects them all—besides their regret about having me as a friend—is their love for art.
So without further ado, here are everyone’s Top TV Episodes of 2014!
The Americans – “Echo”
(Season Two, Episode 13)
By Nick Rogers
Editor’s note: There are spoilers for the dramatic reveal featured at the end of the second season in the second paragraph. If you don’t wish to be spoiled skip ahead.
The second-season finale of The Americans — cable’s best current series never nominated for a meaningful Emmy — climaxes with a long reveal. Perhaps it’s a tad too long for the usual badge-of-honor believability of the show, which follows Philip and Elizabeth, married undercover KGB agents undermining 1980s America from inside and played by the astonishingly versatile Matthew Rhys and Keri Russell.
Jared, a mortally wounded teen whom we thought cruelly orphaned by a rogue element, reveals that he killed his KGB-operative parents. He retaliated for their rejection of his decision to become a second-generation spy, made after a lithe, comely female KGB agent lured him. Later, we learn this insidious KGB initiative has its sights set on Philip and Elizabeth’s teenage daughter, Paige.
This atypical rush of exposition hardly matters when it so beautifully crystallizes the (sometimes overly) slow burn of themes that dominated the season’s other two best episodes: “Behind the Red Door,” in which Elizabeth demands Philip make love to her like his married alter ego “Clark” to destructive ends; and “New Car,” in which America’s unfettered confidence wilts Philip’s own greener-grass curiosity about iconic American culture.