Monday, October 26, 2009

Top Ten Horror Movies of the Decade

According to my spiffy Hotel For Dogs calendar, this year is almost over. Now it would be the professional thing to wait the final months until unveiling this list, but I say nay! October is the time for horror so I apologize if the scariest movie comes out in these remaining weeks, but here are my Top Ten Horror Films of the Decade


#10 – Caché

This is more of an unconventional choice and that’s why I decided to place it so low. It’s not really a horror film, but it’s an unsettling movie with a few powerful scares. Georges is a talk show host who keeps receiving videotapes on his doorstep. The tapes show surveillance of him and his family. The director, Michael Haneke, is not interested in giving you a lot of answers, but he does keep you on edge for the duration of the film.

#9 – Saw

Remember when there was only one? Saw broken into the horror scene and shook it up. Now a couple torture-porn movies come out a year, but Saw was unique. Yes, the themes in the movie are rather stupid and the acting is all over the place (Not in the good directions), but this is still a fun, gruesome ride. Also Michael Emerson is in it so you know it’s worth the #9 spot on that alone.


#8 – The Ring

Once again, just ignore the sequel. Saw started the torture-porn movement and The Ring gave us a million Japanese remakes. So why in the world would I be rewarding these? Despite all the havoc they inadvertently gave to the multiplex, the initial entries were still great. Naomi Watts and Gore Verbinski bring a lot of credibility to what could have been just another horror movie. The conclusion to the madness isn’t very satisfying, but we’re still left with a large handful of really creepy images and a very cheap way to prank your friends. “Seven days.”

#7 – Signs

Yes! I like Signs! A lot! I’m not sure when the backlash began for Signs, but it hasn’t stopped for many years. In reality, this is M. Night Shyamalan’s best and most mature movie. The suspense is top-notched and earned. Its messages about religion and faith are handled well especially when you have Mel Gibson performing the monologues. Yes! I like Mel Gibson! Despite his crazy drunk bigoted ramblings, he’s still one hell of an actor. Why do I have to justify myself to you? Next movie!

#6 – The Descent

When The Descent is really good, it’s crazy good. When it’s just okay, I can’t frankly remember most of those scenes. The Descent is about a group of girls who decide to go spelunking and low and behold a lot of things go wrong. It takes longer than it should for things to go wrong, but once it does it becomes masterful. The film treats its audience with intelligence by never explaining things, but giving you enough clues to let you form your own conclusions. Also make sure you watch the original ending, not the lame American one.

#5 – Paranormal Activity

You can see my full review for Paranormal Activity on this site so I’ll just give you the shortened version. This is definitely an imperfect movie, but that won’t stop me from recommending it to people. The movie is very clever with how it uses its low budget and really shines thanks to the realistic performances by its leads. Don’t let yourself be spoiled from others about any of its scares; they’re rather cool. Yet some advice if you’re in a similar situation as this couple: Try locking the bedroom door? Couldn’t hurt.

#4 – The Orphanage

The best horror movies aren’t about how scary the monster looks, but how unnerving the sounds are when it’s coming towards you. The Orphanage is a master class for atmosphere. It’s about a woman who is reopening the orphanage where she grew up. Soon after she arrives, her son befriends someone who his mother can’t see. Lead by a tour-de-force performance by Belén Rueda, this movie will creep you out. Also I have complained about a few of the endings thus far on the list, but I guarantee you this one is fantastic.

#3 – Behind the Mask: The Rise of Leslie Vernon

Remember Scream? Remember how awesome and groundbreaking it was in deconstructing the genre? This is even better. I found this film basically by accident, but I’m thrilled that I did. Behind the Mask is a mockumentary following a man named Leslie Vernon who wants to be the next Jason Vorhees or Michael Myers. He shows the documentary crew all the steps it takes to be a successful serial killer. This almost validates all of the silly Friday the 13th and whatnot movies because it gives the illusion of all the work each of these serial killers. This movie also stars Robert England in the reverse role as the “Ahab.”

#2 – REC

Like all good foreign horror movies, this one has already been remade. Ignore Quarantine (but it looks like most of you already had) because REC is a very tight and suspenseful thriller. Like Paranormal Activity, REC is made up entirely of raw footage from a film camera. Yet this scenario is a little more plausible than most to why the characters are constantly filming everything. It is about a local TV news team who is filming a regular segment called “While You’re Sleeping.” They are following the firefighters when they get a mysterious call to an apartment complex. Once they arrive, things go nuts and everyone inside has become quarantined. It’s a shorter film, but there is not a wasted second.

#1 – Let the Right One In

I adore this movie. So much. People often forget there were TWO vampire romance movies that came out last year. This one just happened to be Swedish and involving twelve year olds. Also this one has actual vampires, not ones doused in glitter. Let the Right One is the very eerie tale of a young girl vampire who moves into town and is hungry. She isn’t a monster, but because of what she is, she has to be monstrous. The movie brings up some complex themes of dedication and existence while juxtaposing them with beautifully haunting images. See this as soon as you can before the American remake comes out next year.


http://blog.movieset.com/2009/10/22/top-ten-horror-films-of-the-decade/

Wednesday, October 21, 2009

Ticket Stubs: Paranormal Activity

By now you’ve already heard of Paranormal Activity. Typically this is the type of smaller film that I would latch onto, talk about like crazy, and then everyone would continue to ignore it. Yet the fates of cinema worked with me this time. I don’t know how the word of mouth avalanched to the point that this $11,000 film is now available nationwide.

So here’s the big question: Is this Little Engine That Could worth the ride? In short, yes. The longer version, the rest of this review. Paranormal Activity is the story of a twenty something couple who have been experiencing some peculiar things around their house. Micah decides the best idea is to record this activity on an expensive film camera that he buys. That’s where the movie begins. The entire film, much like Cloverfield, is made up of Micah’s footage. Yet unlike Cloverfield, you can actually see where Micah plugs in the battery. Having the camera in the house only angers (or perhaps amuses) the entity that is tormenting the couple.

Now the torment is what everyone is talking about with this movie. At night Micah sets up the camera and points it towards their bed. Then during the early hours, something happens. It has often been observed that with restraint, true creativity reigns. Would certain Hitchcock films be as successful if he didn’t always try to fight against the oppressive Hays’ Code? The filmmakers behind this movie didn’t have a censorship issue, but a budget one. Too many horror films rely on special effects to heighten their scares, but this movie reminds us what is really scary is what we can’t see. Every “scary scene” is a showcase for clever filmmaking tricks. I know roughly how Peter Jackson created Gollum, but I can’t figure out how this film made….sorry, I can’t say. This film is only becoming more popular and I’m sure some of the biggest scares will be spoiled. I don’t want to be that guy.

So why do these scenes work? No one is taking pity on the film by saying that “it is scary for its budget.” It is scary in spite of its budget. The intimacy of this movie is outstanding. Having the camera so close to the action is one thing, but what really makes the film frightening is that they properly set up the environment. This movie has been unfairly compared to The Blair Witch Project. Paranormal Activity succeeds every time Project failed. Blair Witch is boring because you can’t stand being lost in the woods with those numskulls, whereas I enjoyed my time with Micah and Katie. They feel like two very real people. They each have naturalistic flaws and they always properly respond to the madness that they are faced with. I give a lot of that credit to the real Micah and Katie. Working with amateur actors is always a risk, but their performances feel so raw that it’s almost impossible to pinpoint when they are “acting.”

Now this movie is far from perfect. The exposition is handled rather poorly, too many of the sequences during the day aren’t needed, and there is a bit of a pacing problem throughout the film. None of these put a real damper on the film because what shines through is its clever approach on a genre that is at its best when there is fresh talent like these guys.


http://blog.movieset.com/2009/10/21/ticket-stubs-paranormal-activity-review/

Sunday, October 18, 2009

2009 Anthony Award Winners

As I mentioned in my last post, I was the chair of the Anthony Awards for this year's BoucherCon. The convention concluded today and I had a blast. Sure, I'm comically exhausted but I'm proud of the work I did there, especially looking at the Anthony Awards. I honestly believe that this was a really really strong list of nominations and I'm very satisfied with all of the winners. What? Oh who won? Okay, I'll tell you.

Best Novel: The Brass Verdict by Michael Connelly
Best First Novel: The Girl With the Dragon Tattoo by Stieg Larsson
Best Paperback Original: State of the Onion by Julie Hyzy
Best Short Story: "A Sleep Not Unlike Death" by Sean Chercover
Best Critical Nonfiction: Anthony Boucher: A Biobibliography by Jeffrey Marks
Best Childrens/Young Adult: The Crossroads by Chris Grabenstein
Best Cover Art: The Girl With the Dragon Tattoo designed by Peter Mendelsund
Special Service Award: Jon and Ruth Jordan

The award this year was designed by Bright Ideas in Broad Ripple and I think it looks beautiful. It's a crystal book with the name of the award etched onto its "cover." Then a real magnifying glass is aimed in that direction all while on a nice piece of marble. Below are two pictures without the etchings on the crystal.


Truly, I'm so happy with how all of this turned out this year and I couldn't have done it without the great volunteers I've had and the most cooperative (and enthusiastic) nominees I could ask for. Thanks everyone.